French Baroque Era Painter, 1594-1665 French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,  Related Paintings of POUSSIN, Nicolas :. | Adoration of the Magi sgf | Bacchanal: the Andrians af | Landscape with the Gathering of the Ashes of Phocion (detail) af | The Triumph of Neptune (detail) af | Venus Presenting Arms to Aeneas f |
Related Artists:
Carl Ludwig Brandt
(22 September 1831 Holstein, Germany - 1905) was a German-born artist who worked mostly in the United States. Brandt was born near Hamburg, in Holstein, Germany. His father and grandfather were physicians in Hamburg. His father taught him drawing at the age of seven, and he subsequently studied in the principal galleries of Europe. He served in the First War of Schleswig (1848-1850), between Germany and Denmark. He came to the United States in 1852. He painted several portraits previous to 1864, and in that year built his studio in Hastings-on-Hudson, New York, but lived in Europe from 1865 until 1869. He was chosen a national academician in 1872, and in 1883 was elected first director of the Telfair Academy of Arts and Sciences, Savannah, Georgia, where he resided in winter. At Telfair he offered art instruction and oversaw art acquisitions, including plaster casts, thus transforming a family mansion into a cultural institution.
MAUPERCHe, Henri
French Baroque Era Painter, ca.1602-1686
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